To disrupt the white ensemble by the piercing force of the red wedge. This is the political emotion of Lizzitsky’s “Beat the Whites with the Red Wedge”.
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In the liminal space between, at the point of compression, where a decisive decision is to be made, all fluids take the path of least resistance.
A Millenia ago in a rocky and cold cave a man struck a couple rocks together against assorted twigs, flint and kindling to revolutionise the world with fire. It is within this context that I decided to put together an electric longboard [longer skateboard] to enable the complete mixed modal loop.
The video fly-through, 3D renders and VR experiences allows users to get an immersive feel for a building. Plans, sections and details make a building reveal the working details.
Dieter Rams is without doubt the most significant industrial designer of the modernist period. How has this body of work above all others, industrial or architectural, defied changing cultures, economies, climates, politics et. Al. to prevail still as a timeless hallmark?